I have been thinking about what it means to do it all. Recently, I was asked to recognize that just because I can do it doesn’t mean I should. It also doesn’t mean I should try to do it all at the same time because it rarely works well and something inevitably falls through the cracks.
I have been taking time to figure out what that means to me. I am still training for my Strongman competition next month, gearing up to accelerate training for the Spartan Trifecta, planning a workshop with a partner and I have started facilitating a creative non-fiction class at a non-profit for returning citizens.
While I love all of it, I am yearning to devote more time to short stories and reading. So I am. Even if it means one of the other things (like posting here) temporarily falls by the wayside. After reading “Heads of the Colored People” by Nafissa Thompson-Spires, I reconnected with the part of me that needs to slow down and explore what it means to bring my heart and imagination together on the page.
I remembered fretting over prompts given to me in a fiction writing class last year but ultimately happy when the stories came to fruition. I was even looking forward (albeit nervously) to critique by my classmates and teacher. I wanted to get better.
When I think about my writing class these past couple of weeks, one thing comes to mind: I was set free. I was understandbly attached to writing my novel, whether it was random paragraphs, potential scenes or referring back to my synopsis hoping to be inspired to go the distance. I was forcing myself to think of fiction in only one way. I trapped myself without even realizing it.
Since taking this fiction writing course, I have heeded my teacher’s advice to play. The last two stories I wrote had a possible salacious betrayal and one was written from the perspective of a ghost. I know I didn’t need permission to set myself free but it worked. I have a couple of months after this class ends to keep pushing myself and I look forward to it. I look forward to the release of expectation and the freedom it will undoubtedly bring.
On my last blog post of 2017, one of my goals for 2018 was to be intentional about reading two books a month. I know I could read more but I want to start there. At one point in time, I swallowed books, especially novels. Within the last year or so, I have been introduced to a lot more non-fiction. I would read the occasional autobiography but fiction always had my heart and attention. I found myself feeling like I had to read these non-fiction books to increase my knowledge about setting and achieving goals, financial fitness and self-awareness. While I think the subject matters are worthwhile and many of the personal development books I attempted to read have an engaging style, I find myself setting them down and moving on to another one without finishing.
I heard recently that I need to break down all of my goals. In that spirit, I will choose one non-fiction/personal development book to read each month along with one novel. This month my fiction selection is a book of short stories I began but never finished: The PEN literary award winner “Before You Suffocate Your Own Fool Self” by Danielle Evans. I had started reading it at the beach over the summer and for some reason I can’t remember now, I put it down.
My second selection is “Braving the Wilderness” by Brene Brown. I started reading this book over the fall and I remember my interest waning after about 50 pages. I love watching Brene Brown being interviewed and delivering speeches but for some reason once the research was being introduced, I started getting distracted. I will not be surprised if I love it after committing to finish it.
It’s been said that how you do one thing is how you do everything. I don’t know how true that is but if I start with something as small as committing to my reading goals, my other goals will not be far behind.
I was thinking recently about the first time I thought I about being a writer. I was around 10 years old. I still have one of my first old notebooks with abandoned attempts of short stories in a box somewhere. One of the stories was about an 11-year old girl named Stephanie who was spending her first Christmas after her parents’ divorce with her father and younger brother. The notebook had multi-colored tabs and I divided my work into ideas, first drafts and final drafts. I was also gifted multi-colored retractable pens. I still remember the glee I felt pushing one color down and watching a new hue pop up each time. The first draft of my Stephanie story was written in a teal cursive.
What I remember most fondly is how I thought this was the beginning and I couldn’t wait to publish my own series of books like Ann M. Martin’s Baby-Sitters Club books and be an acclaimed teen author. I love that I had dreams as a child. One of the most precious things about a child is their innocence. I was allowed to have mine. I had parents who bought me books and notebooks and colorful pens and never once made me feel silly about writing my stories.
They were my treasures. Mine to have. Mine to hold. Mine to keep.
I spent the weekend at the 15th Annual James River Writers Conference 2017 which started with Master Classes held on Friday, October 13th. I did not attend the master classes but I was there on Saturday and Sunday. The conference offered one-on-one meetings with an agent or an editor, panels on writing (both the business and the craft), Library of Virginia Literary Luncheon featuring an interview with honoree and Richmond native David Baldacci, an opportunity to play the Agent Dating Game and First Pages panel.
Day 1, ready to connect with my fellow writers!
James RIver Writers Conference celebrating 15 years!
There were several sessions running concurrently so I could only go to three each day. The first session was a panel of agents answering questions about paths to publication. One agent, Cherise Fisher, made a striking point that as writers, that we should understand our dreams. The consistent message was that we should be self-aware. We should know our genre, be able to name realistic but comparable titles and take time to research the agents-their Twitter, other authors they represent and books they have sold. Ms. Fisher from Wendy Sherman Associates, Inc. also reminded us not to forget about the smaller publishing houses. I particularly enjoyed the tip that we should write such a dynamic query letter that they should have to do little else before sending it to a publishing house/editor.
The social media panel gave insight into how authors Sadeqa Johnson, Sonia Yoerg and Panio Gianopoulos manage their social media. They covered topics such as when to post, scheduling apps used, blogging and the major importance of a newsletter in reaching your audience. I admired how they didn’t pretend to have it all figured out and advised if you don’t, then seek counsel! A solid piece of advice given by Sadeqa was to know your lane and build from there when posting on your media sites. For example, if you like gardening, post pictures and video of yourself doing things related to that along with content about your writing. They all acknowledged that readers like to feel as if they know you, not just your work.
The Literary Luncheon was fun and the food was tasty. I was grateful they had a real vegetarian option (a flavorful Portobello mushroom and peppers dish). It gave us the opportunity to reflect on the first half of the day with friends (my awesome writing tribe!) and meet new ones. David Baldacci’s interview was engaging and although emerging authors like myself can’t relate to his meteoric rise, I believe it gave us all a dream to aspire to.
The third panel was moderated by a local writer friend of mine, David Streever. It featured Library of Virginia Nonfiction Award Finalists Belle Boggs, Patrick O’ Donnell and Annette Gordon-Reed. Belle Boggs recited a quote I liked: “Writing won’t make you a living but it will make you a life.” They shed light on what it is like to devote copious amounts of time to research, interviewing and unearthing untold stories that were long overdue for its place in the sun.
Library of Virginia’s Nonfiction Award Finalists Belle Boggs, Patrick O’Donnell and Annette Gordon-Reed moderated by David Streever.
The end of Day 1 was fascinating: an interview with “Hidden Figures” author Margot Lee Shetterly. Getting to hear how she grew up in a neighborhood full of engineers, professors and mathematicians in Hampton and had no idea the greatness she was in the presence of astounded me. I loved hearing about her professional background which included founding an expatriate magazine in Mexico with her husband and working on Wall Street. I believe we all gasped about how quickly the book and the movie deal came together after the book proposal was accepted. Listening to this woman was a sonic delight I will not soon forget.
Thrilled I got to hear the phenomenal story of Margot Lee Shetterly, author of Hidden Figures!
The second day was introduced by highlighting Richmond Young Writers’ books. I was inspired by the literary talent of Richmond’s youth led by Bird Cox. After the opening ceremonies, the First Pages panel began. I commend all of these people who submitted their first pages and were willing to be judged. I submitted my first page last year. Although it did not get selected for reading, I remember the anxiety I felt waiting to hear my words read in front of a crowd of strangers.
There was a Lunch and Learn session. I attended the one about content marketing. Phaedra Hise of Legacy Navigator explained in detail what it takes to succeed in that field. She was blunt in what we should expect and be asking for with content marketing. The session was a welcome departure from the long form writing heavily discussed throughout the conference. It opened my eyes to revenue streams with writing that do not get enough attention at events like these.
One of the more notable panels was Sexy Narratives moderated by co-chair Robin Farmer with authors Sadeqa Johnson, Tia Williams and Marguerite Bennett. The way writers describe flirtation, sex and the buildup between two people is more than titillating conversation. Tia Williams referred to it as a “careful, slow manipulation.” I love this advice! We all had a good laugh at their blanket condemnation of clichéd scenes with heaving bosoms and throbbing body parts.
Sexy Narratives panel moderated by co-chair Robin Farmer with authors Sadeqa Johnson, Marguerite Bennett and Tia Williams.
My last panel before the Agent Dating Game was Family Stories: For Your Family or the World? My book draws so much from both mine and my grandmother’s life that I knew I needed to hear whatever the panel had to say about this subject matter. I did come to a realization that since there are many details about my grandmother’s life in Haiti that I cannot corroborate, it is best to keep my work as fiction.
The final event was the Agent Dating Game. It was a rendition of the throwback TV show. This time an agent asks his/her bachelors (or writers in this case) the same three questions about themselves, story lines or characters and based on their answers, determines which author they want to learn more about. The segment even had a corny but hilarious host.
The Agent Dating Game!
I need to say a few words about this year compared to last year. Outside of the crowd being bigger (they sold out this year!), it was much more diverse. The authors were more of a representation of what I like to see, which is a healthy sprinkling of what this world already has to offer. I hope they continue this inclusion for years to come. No one likes to feel like they are the only, or one of a few.
All in all, I am excited about returning next year. I will definitely be ready to pitch my novel and get to know more of the smiling, nervous, pensive, curious faces I see roaming the Greater Richmond Convention Center in 2018.
Kristina Hamlett writes to connect, heal, and be a force for change. 